Showing posts with label westmoreland glass. Show all posts
Showing posts with label westmoreland glass. Show all posts

Treasure Box Wednesday: A Little Shine in the Thrifted Finds


I got a chance to go on a little thrifting expedition with my shopping buddy, Scoobie, last weekend and I wanted to share with you my shiny (literally) new goodies. The first was this Kathy Van Zeeland purse I got for six bucks at the Red, White and Blue in Bellevue. With its mint green color and pearl finish, I think it will be really nice for spring.


I'm not much of a shoe girl, but handbags somehow really speak to me.

The other item I got was this large, Westmoreland/Smith glass carnival basket from the McKnight Road Goodwill. 


It's one of those things that leapt right out at me, and I had a feeling due to the busyness of the store, that I was absolutely the only one there who was going to get excited about it. I know carnival glass isn't for everyone--which in this case was to my advantage!

Wishing you happy days as our mild winter fades away into spring.

Clear Beauty in Westmoreland County Pressed Glass

Just outside of Pittsburgh, in Westmoreland County, lies rolling hills, friendly people... and a tradition of beautiful quality glass-making.

Not being a Pittsburgh native myself, my initial thrifting endeavors led me to wonder just how it was that I kept uncovering so many marvelous lustrous pressed glass pieces...

Dainty daisy-pressed carnival glass shoes... Iridescent moonstone hobnail bottles... shimmery pink or purple or aqua bowls...

And all typically between $6-$20 for these artistic-looking pieces!

Well, it turned out that beginning in the 19th century, Western Pennsylvania was an important hub for American glass-making and was home to Westmoreland Glass, Empire Glass, L.E. Smith Glass and the McKee-Jeannette Glassworks, among others.

L.E. Smith Glass, in Mount Pleasant, PA, has been making American pressed glass since 1907, and the style continues to have that turn-of-the-century look.


You can see the stylized "S" mark above. Both the two tall vases, and the shoe on the right-hand side are Smith pieces...As are this candy dish, and the bright aqua bowl here...
Interestingly, Smith Glass and Fenton of West Virginia are the only glass works from that era that continue to operate in the region today. Fans of pressed glass can even visit the Smith factory for tours. You can check out their web site by clicking here. I haven't gotten a chance to do the tour yet myself, but I think I need to take some time this spring to see the birthplace of much of my favorite glassware!

The Kovels Guide indicates that Westmoreland Glass was in operation from 1890 until 1984, in Grapeville, PA. These pieces bear an overlapping WG mark...
Like Smith Glass, the pieces are often thick pressed glass in a variety of colors and cut-glass-styled patterns. My favorites have a rainbow luster shimmer like this little candydish I'd thrifted...


This bowl alone weighs several pounds. I imagine so much Westmoreland and other pressed glass exists today because of its thick, durable consistency...
This little crystal tophat is also a Westmoreland piece.
I wasn't able to find a mark on this marigold carnival piece, but I suspect it, too, began life in Westmoreland County...
So while current prices for this type of glass-- at least in my region-- are very affordable, it doesn't make these pieces less desirable to me.

And if you're a fan of turn-of-the-1900s collectibles, you might just want a piece of Westmoreland County glass in your own home, to carry on that period feel!

Happy hunting!

The Attraction of Carnival Glass


"Hurry, hurry, hurry!-- step right this way, folks, and see this amazing glass. It's molded! Or stretched! It's iridescent! It's just like magic! See all the colors of the rainbow in one single bowl!"

My first exposure to carnival glass was when I was about eight years old, digging in my parents' back yard. At some point, some of the far lot must have been used as a dump by the locals. Because in a day of digging, I'd find things like bits of unlucky G.I. Joes, reflectors from old bicycles, and shards of porcelain... Tiny treasures that rewarded the imagination of a child almost as much as the digging itself did.

In making a mud-pie, one morning, I came upon a fragment of glimmering, shimmering iridescent red-purple glass.

I brought it inside to my mother with wonder in my eyes. To an eight-year-old, it looked about as close to magic as glass ever could. "Look, Mom-- treasure!"

But Mom laughed. "Oh, that's just a piece of carnival glass. It was this cheap, gaudy, cheesy stuff they used to give away at carnivals as prizes. It's nothing."

Except it was too late; I was in love with it.


The Encyclopedia of Carnival Glass, by Bill Edwards and Mike Carwile explains that carnival glass was a type of either pressed or stretched, iridized glass-- typically manufactured between 1905 and 1930. The rainbow iridescence of it was sprayed onto the glass before firing, making it affordable for average households during the area. And, as Mom had said, it was also sometimes given away as amusement park prizes.


The type of carnival glass you have depends on what type of finish was used. Different finishes are layered over a base color. The most common base colors for the glass itself include marigold, amber, amethyst, peach, cobalt, red, and smoke. You can determine the base color of your piece by holding a piece up to a direct light.

According to the book, there are basically three kinds of finishes for carnival glass. One is a satiny finish which adds colored highlights over a uniform glass surface color. This ruffled candy dish, which came from my great-grandmother, is an example of a pretty standard carnival glass piece. The color is marigold and the iridescent highlights tend toward purple/fuchsia tones.


Another type of finish is what was called the "radium" finish. This has a shiny mirror-like luster. In looking at my other carnival pieces from this era, I believe the bowl below might be a decent example of a "radium" look. The finish is very silvery and much more opaque than the other piece. It's over an amethyst glass...


A third finish, typically used on pastel pieces, may have a frosty look-- a white milky edge which is called "opalescent." This delightful Fenton shoe, my friend Josette gave me, appears to be done in the more opalescent style.


While the manufacture of carnival glass originally ended in the 1930s, in the 1960s, companies like Imperial Glass Company of Bellaire, Ohio revived some of their original carnival glass molds. This caused what the Encyclopedia of Carnival Glass describes as a second "carnival glass fever."

And for we fans of the thrift, the wonderful news is that these "revival" pieces are quite findable at thrift stores! While carnival Imperial grape pieces don't come into thrift stores as often as their milk glass sisters might-- a sharp eye can still spot them now and again at very reasonable prices. The pattern of this amber compote was done in blue, as well...


Below is a closeup on a grape pitcher-- in a slightly different pattern to the Imperial grape above-- that I found at the Salvation Army one day for $4...

I love the depth the iridescent colors give to the raised grapes!

This pressed glass bowl was another Salvation Army find...


You can see the detailed pattern here, and how the colors of the carnival finish accent them. I'm not sure who manufactured this-- I've seen it listed before as Westmoreland Glass, which was a glass making company local to Western Pennsylvania.



The book refers to these highly-defined wheeled patterns as "Starbursts" or "Buzzsaws"...


I actually don't recall the origin of this ice blue basket anymore, but I wanted to share it with you to show how many colors can be found within a single carnival piece...


And lastly, this pattern below is called "Anniversary" from Jeanette Glass Works, another Western Pennsylvania local company. The first is a bowl...


The second is one of a set of dinner plates....

It was late to the first wave of carnival glass manufacturing-- made in 1947. The Encyclopedia of Carnival Glass considers it "poorly lustered"-- but when these plates catch the light on my dinner table, the glow is as warm and magical as the lure of any Ferris Wheel.

Hope you enjoyed our little carnival ride today!

And perhaps I'll see you this coming Wednesday for more nifty, thrifty fun!